Wednesday, April 21, 2010

Tajmahal-The Symbol Of Love

The Taj Mahal is an immense mausoleum of white marble, built between 1631 and 1648 by order of the Mughal emperor Shah Jahan in memory of his favourite wife. Taj Mahal means Crown Palace; one of the wife's names was Mumtaz Mahal, Ornament of the Palace. The Taj is one of the most well preserved and architecturally beautiful tombs in the world, one of the masterpieces of Indian Muslim architecture, and one of the great sites of the world's heritage.  
The Taj Mahal stands serene and perfect in its garden of cypresses and reflecting pools on the banks of the River Yamuna. Its pure white marble shimmers silvery white in the moonlight, glows softly pink at dawn, and at close of day reflects the fiery tints of the setting sun. The Taj in all its timeless beauty is still the inspiration of poets and painters, writers and photographers. And lovers still meet here in the moonlight in the shadow of the world's most famous monument to love. Shahjehan built the Taj in memory of Mumtaz Mahal who died giving birth to their 14th child. No cost was spared to make it the most beautiful monument the world had ever seen. White marble and red sandstone, silver and gold, carnelian and jasper, moonstone and jade, lapis lazuli and coral were fashioned by 20, 000 skilled workers to make the emperor's dream a reality. It took 22 years to complete - a symbol of eternal love where Shahjehan too lies buried, re-united at last with his beloved Mumtaz.
Set at the north end of a formal Persian garden with water courses, paved walkways and rows of dark cypresses, the Taj rises on a high red sandstone base topped by a huge white marble terrace, its flawless double dome flanked by four tapering minarets. Within lies the jewel-inlaid cenotaph of the queen, and a little to one side - the only asymmetrical feature in the Taj - the richly decorated casket of the emperor. Both are enclosed by an octagonal screen of finely pierced marble. So perfect are the proportions of the Taj, so exquisite its workmanship, that it has been described as having been designed by giants and finished by jewellers.
The legend, the poetry and the romance that shroud was described by Rabindranath Tagore as "a teardrop on the cheek of time". Taj Mahal means "Crown Palace" and is in fact the most well preserved and architecturally beautiful tomb in the world. It is best described by the English poet, Sir Edwin Arnold, as "Not a piece of architecture, as other buildings are, but the proud passions of an emperor's love wrought in living stones." It is a celebration of woman built in marble and that's the way to appreciate it. Taj Mahal stands on the bank of River Yamuna, which otherwise serves as a wide moat defending the Great Red Fort of Agra, the center of the Mughal emperors until they moved their capital to Delhi in 1637.
The Story of a Taj Mahal
According to popular legend, Shah Jahan decided to construct another Taj Mahal in black marble on the other side of the river Yamuna and to connect the two by a bridge. This structure was intended to be his own tomb. It has been recorded almost contemporarily by a French merchant Tavernier : "Shah Jehan began to build his own tomb on the other side of the river but the war with his sons interrupted his plan and Aurangzeb who reigns at present is not disposed to complete it".
Later gazetteers and guide books mention this story almost invariably. The irregular position of the cenotaph of Shah Jahan as compared to that of Mumtaz Mahal which occupies the exact centre of the hall is said to be proof of this assumption. The Mehtab Burj and the wall adjoining it opposite the Taj Mahal are generally said to be the foundations and remains of the proposed plan.
Many scholars, however, believe that this idea belongs to fiction rather than history. The traces which are identified as the foundations of the second Taj Mahal are actually the enclosing wall of a garden founded by Babar. The irregular position of Shah Jahan's cenotaph in comparison to Mumtaz Mahal's, is similar to that at the tomb of Itmad-ud-Daulah, and thus should not be of any striking significance. Besides, according to Islamic law, bodies are buried with their faces towards Mecca and legs towards the south, and the husband is placed on the right hand side of his wife. The interpretation that the cenotaph of Shah Jahan was not meant to be placed here appears to be superfluous.

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